Once upon a time...
Queen Elizabeth the Queen Mother.
You may click on any image to enlarge.
Queen Elizabeth II.
She was not British but what is a blog post about Princess Brides without the amazing Grace Kelly?
Gorgeous in Sarah Burton at Alexander McQueen! Tim Gunn called it 'ravishing!'. A style that will never look outdated.
Catherine had a lot of input in the design of the dress. 'Hand-cut English lace and French Chantilly lace has been used throughout the bodice and skirt, and has been used for the underskirt trim. With laces coming from different sources, much care was taken to ensure that each flower was the same colour.' You can tell the vintage style of the bodice, 'drawing on the Victorian tradition of corsetry. The skirt has fluid movement and as The Monarchy described 'it echoes an opening flower.'
Pippa Middleton was lovely by the same designer.
I have been a big fan of McQueen for many years and wrote an extensive blog when he passed on the 11th of February 2010.
In memory of Alexander (Lee) McQueen
Our dad was British. Where ever in the world we lived dad always managed to find a special spot for Her Majesty's portrait. That's me holding my new doll Noelle. The weird tree is because we lived in the tropics & I'm sure Christmas trees had to be imported.
It would have been hard to resist the pageantry but whether British or not, most people wish them a long and happy life together.
I couldnt help wondering which Philip Treacy hat Diana would have worn to her son's wedding.
It seemed Princess Beatrice of York failed at the attempt to channel the fabulous Isabella Blow who was very close friends and muse of both Philip Treacy and Alexander McQueen.
Until a brilliant observer came along and kindly left me this note:
"Princess Beatrice's hat is another take on the Lover's Knot...at first I just looked at it, as others did, but then I recognized the design which is classic (don't know that it's been used on a hat before) and thought: "She's honoring the couple".
Sometimes there's much more to a story than just what it seems..."
More on the Lover's Knot pin below.
Edit: May 18th, 2011
The hat is now on ebay, all proceeds to go to charity. I think she has a wonderful sense of humor. I am taking a screen shot of the auction as a keep sake and will include in this blog.
Here is a link to the auction. Note, link is dead as ebay removed the listing after it ended.
Princess Beatrice Royal Wedding Hat by Philip Treacy
Edit 12.16.2011 - The auction screen shots are at the very bottom of this post.
A few of my personal favorites:
Worn by Miriam Gonzalez Durantez, the wife of Deputy Prime Minister Nick Clegg, a very Forties black turban embellished with coral flowers and matching lipstick.
Earl Spencer's daughters, Lady Amelia, Lady Eliza and Lady Kitty wore elaborate fascinators, with Kitty, far right, wearing a Victoria Beckham dress with her Philip Treacy hat.
The Lilly of The Valley worn by the Wedding Party. The flower of my birth month.
The Blush Crew.
Princess Ameerah Al Tawil, wife of Saudi Prince Al Walid bin Talal, wearing one of the most beautiful dresses of the event, a custom made Zuhair Muard Couture dress especially made for the occasion. The light rosewood satin with silk lace overcoat was decorated with hand embroidered organza flowers. Her dress and overcoat were accessorized with matching shoes, a clutch, gloves and a hat all by Zuhair Murad.
Sophie, Countess of Wessex wearing Bruce Oldfield and a hat by Jane Taylor and Princess Maxima.
And here is another look at Princess Ameerah Al Tawil.
The primary color crew. Not exactly a favorite as I thought there was a bit too much electric blue going on, Tara Palmer Tomkinson.
Loved The Queen's crepe wool primrose dress with hand-sewn beading at the neck in the shape of sunrays with matching tailored coat designed by Angela Kelly. She also wore a matching crepe hat with hand-made silk roses and apricot coloured leaves, and wore Queen Mary's True Lover's Knot diamond brooch pinned to her coat. Someone wrote that it is obvious who is the center of this family.
Large diamond bow with scalloped edges and diamond tassels.
The Queen inherited the brooch from Queen Mary in 1953.
Zara Phillipps, Princess Anne's only daughter and Mike Tindall.
The mother of the bride, Carol Middleton, beautiful wearing Catherine Walker, a designer famously loved by Princess Diana.
I noticed, while using social forums some complaining that Victoria Bechham was wearing a tent and not 'showing her bump' in the popular snug outfits expectant mothers wear today but I feel she made a good choice and looked very classy in her Midnight Blue dress and Philip Treacy hat. David was very dapper in Ralph Lauren and Philip Treacy top hat.
Frances Osborne, the wife of the Chancellor of the Exchequer.
I think the ceremony was short and sweet. I don't know why Charles and Diana's wedding seemed so much longer to me.
Impressive crowd control.
and how the Household Cavalry Mounted Regiment escorted the wedding party back to Buckingham Palace The crowd would wait patiently to see the couple once again and hopefully witness a romantic kiss.
The crowd got two kisses!
Catherine lovely in her reception dress by the same designer. I see an almost identical replica of the wedding dress without the lace bodice and train.
May Love Be Good To Them.
You may watch the wedding by visiting the Royal Channel and searching for "wedding"
After so many recent disasters I feel the world needed something grand, fun and hopeful for a change!
Thanks for stopping by.
Katy Perry's Royal Wedding Nails, fun!
The official information about the Wedding Party:
The Wedding Dress, Bridesmaids' Dresses and Page' Uniforms
29th April 2011
The Wedding Dress
Miss Catherine Middleton’s Wedding Dress has been designed by Sarah Burton at Alexander McQueen.
Miss Middleton chose British brand Alexander McQueen for the beauty of its craftsmanship and its respect for traditional workmanship and the technical construction of clothing. Miss Middleton wished for her dress to combine tradition and modernity with the artistic vision that characterises Alexander McQueen’s work. Miss Middleton worked closely with Sarah Burton in formulating the design of her dress.
The dress epitomises timeless British craftsmanship by drawing together talented and skilled workmanship from across the United Kingdom. The dress design pays tribute to the Arts and Crafts tradition, which advocated truth to materials and traditional craftsmanship using simple forms and often Romantic styles of decoration. Ms Burton’s design draws on this heritage, additionally giving the cut and the intricate embellishment a distinctive, contemporary and feminine character.
The lace appliqué for the bodice and skirt was hand-made by the Royal School of Needlework, based at Hampton Court Palace. The lace design was hand-engineered (appliquéd) using the Carrickmacross lace-making technique, which originated in Ireland in the 1820s. Individual flowers have been hand-cut from lace and hand-engineered onto ivory silk tulle to create a unique and organic design, which incorporates the rose, thistle, daffodil and shamrock.
Hand-cut English lace and French Chantilly lace has been used throughout the bodice and skirt, and has been used for the underskirt trim. With laces coming from different sources, much care was taken to ensure that each flower was the same colour. The whole process was overseen and put together by hand by Ms Burton and her team.
The dress is made with ivory and white satin gazar. The skirt echoes an opening flower, with white satin gazar arches and pleats. The train measures two metres 70 centimetres. The ivory satin bodice, which is narrowed at the waist and padded at the hips, draws on the Victorian tradition of corsetry and is a hallmark of Alexander McQueen’s designs. The back is finished with 58 gazar and organza covered buttons fastened by Rouleau loops. The underskirt is made of silk tulle trimmed with Cluny lace.
French Chantilly lace was combined with English Cluny lace to be hand-worked in the Irish Carrickmacross needlework tradition.
All other fabrics used in the creation of the dress were sourced from and supplied by British companies. The choice of fabrics followed extensive research by Sarah Burton and her team.
The Royal School of Needlework
The Royal School of Needlework (RSN), based at Hampton Court Palace, assisted the Alexander McQueen team in accurately cutting out the delicate motifs from the lace fabrics and positioning the lace motifs with precision into the new design. The lace motifs were pinned, ‘framed up’ and applied with stab stitching every two to three millimetres around each lace motif. The workers washed their hands every thirty minutes to keep the lace and threads pristine, and the needles were renewed every three hours, to keep them sharp and clean.
The RSN workers included existing staff, former staff, tutors, graduates and students, with the youngest aged 19.
The RSN’s work was used primarily for the train and skirt of the Bride’s dress, the bodice and sleeves, the Bride’s shoes and the Bride’s veil.
Veil and Jewellery
The veil is made of layers of soft, ivory silk tulle with a trim of hand-embroidered flowers, which was embroidered by the Royal School of Needlework. The veil is held in place by a Cartier ‘halo’ tiara, lent to Miss Middleton by The Queen. The ‘halo’ tiara was made by Cartier in 1936 and was purchased by The Duke of York (later King George VI) for his Duchess (later Queen Elizabeth The Queen Mother) three weeks before he succeeded his brother as King. The tiara was presented to Princess Elizabeth (now The Queen) by her mother on the occasion of her 18th birthday.
The Bride’s earrings, by Robinson Pelham, are diamond-set stylised oak leaves with a pear shaped diamond set drop and a pavé set diamond acorn suspended in the centre. Inspiration for the design comes from the Middleton family's new coat of arms, which includes acorns and oak leaves. The earrings were made to echo the tiara. The earrings were a personal gift to the Bride from her parents for her Wedding Day.
Robinson Pelham have also designed and made a pair of diamond earrings for Miss Philippa Middleton. These earrings are more floral in nature to compliment the headpiece worn by Miss Philippa Middleton during the Service.
A tourmaline and diamond pendant and matching earrings have been designed and made for Mrs. Carole Middleton. Two gold stick pins, one with a single gold acorn at the head and the other with an oak leaf, are also worn respectively by the Father of the Bride, Mr. Michael Middleton, and the Bride's brother, Mr. James Middleton.
The wedding shoes have made hand-made by the team at Alexander McQueen and are made of ivory duchesse satin with lace hand-embroidered by the Royal School of Needlework.
The Bride’s Bouquet
The bouquet is a shield-shaped wired bouquet of myrtle, lily-of-the-valley, sweet William and hyacinth. The bouquet was designed by Shane Connolly and draws on the traditions of flowers of significance for the Royal Family, the Middleton family and on the Language of Flowers.
The flowers’ meanings in the bouquet are:
Lily-of-the-valley – Return of happiness
Sweet William – Gallantry
Hyacinth – Constancy of love
Ivy: Fidelity; marriage; wedded love; friendship; affection
Myrtle: the emblem of marriage; love.
The bouquet contains stems from a myrtle planted at Osborne House, Isle of Wight, by Queen Victoria in 1845, and a sprig from a plant grown from the myrtle used in The Queen’s wedding bouquet of 1947.
The tradition of carrying myrtle begun after Queen Victoria was given a nosegay containing myrtle by Prince Albert’s grandmother during a visit to Gotha in Germany. In the same year, Queen Victoria and Prince Albert bought Osborne House as a family retreat, and a sprig from the posy was planted against the terrace walls, where it continues to thrive today.
The myrtle was first carried by Queen Victoria eldest daughter, Princess Victoria, when she married in 1858, and was used to signify the traditional innocence of a bride.
Miss Philippa Middleton’s Dress
Miss Philippa Middleton’s dress was designed and created by Sarah Burton at Alexander McQueen. It is of a heavy, ivory satin-based crepe, with a cowl front and with the same button detail and lace trims as the Bride’s dress.
The Young Bridesmaids’ Dresses
The young Bridesmaids’ dresses were designed by childrenswear designer Nicki Macfarlane to echo the Bride’s dress. The four dresses were hand-made by Ms Macfarlane and her daughter Charlotte Macfarlane at their homes in Wiltshire and Kent.
The Bridesmaids’ dresses have been created using the same fabrics as the Bride’s dress. The ballerina-length, full, box pleated skirt gives the dresses a sculptural quality, with the layering of ivory over white satin gazar adding depth of colour. They have all been hand-finished with delicate English Cluny lace, which is visible under the skirts, and four layers of net underskirt. The puff sleeves and neckline are trimmed with the same English lace as the Bride’s underskirt. The backs have been finished with the same button detail.
The sashes are made of pale gold, wild silk, which is tucked at the front and tied at the back in a sumptuous bow.
As a special memento, the Bridesmaid’s name and the date of the wedding have been hand-embroidered onto the lining of each dress.
Capes (These may or may not be worn dependent on the weather)
The waist-length capes, also created by Nicki Macfarlane, are made from ivory Yorkshire wool, edged in fine English lace and tied at the front in the same satin gazar as the dresses.
The Bridesmaids’ shoes were designed and made by Devon-based Rainbow Club. The classic Mary Jane style shoes are made from satin and finished with a Swarovski crystal buckle. Devon-based Rainbow Club have been designing, making and colouring handmade wedding shoes since the mid-1980s.
The Bridesmaids’ flowers were designed and made by Shane Connolly. The ivy and lily-of-the-valley hair wreaths worn by the younger Bridesmaids were influenced by the Bride’s mother’s own headdress at her wedding in 1981. The bouquets held by the Bridesmaids replicate the flowers used in the Bride’s bouquet, and they incorporate lily-of-the-valley, sweet William and hyacinth.
The Pages are wearing a uniform in the style of that worn by a Foot Guards officer at the time of the Regency (the 1820s). The uniform draws its insignia from the Irish Guards, whose Colonel is Prince William.
The tunic is Guards’ Red with gold piping, Irish shamrocks are on the collars and its buttons are arranged in fours, denoting the Irish – or Fourth – Regiment of Foot Guards. The buttons feature the Harp of Ireland surmounted by the Crown Imperial. The breeches are ivory and are worn with white stockings and black buckle shoes
The Pages will wear a gold and crimson sash (with tassel) around their waists. The sash is worn by officers in the Irish Guards when in the presence of a Member of the Royal Family.
The uniforms were designed in the Royal Household and were created by Kashket and Partners, who have also fitted Prince William’s uniform for his Wedding Day. The collars and cuffs were created by the Royal School of Needlework.
Screen shots of the ebay auction for the hat worn by Princess Beatrice of York:
You will need to click on the image to view the full sized version.